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Noli Me Tángere (Latin for "Touch Me Not") is a novel by Filipino writer and activist José Rizal and was published during the Spanish colonial period of the Philippines.It explores inequities in law and practice in terms of the treatment by the ruling government and the Spanish Catholic friars of the resident peoples in the late 19th century.
Noli me Tangere by Antonio da Correggio, c. 1525. Noli me tangere ('touch me not') is the Latin version of a phrase spoken, according to John 20:17, by Jesus to Mary Magdalene when she recognized him after His resurrection. The original Koine Greek phrase is Μή μου ἅπτου (mḗ mou háptou).
21 February 1887 – Rizal finished writing the Noli Me Tangere. 29 May 1887 – Noli Me Tangere was published in Madrid and Barcelona. 13 December 1888 – Filipino expatriates in Spain, among them Jose Rizal, Marcelo del Pilar, Antonio Luna and Mariano Ponce established the organization La Solidaridad. The group aims to foster closer ...
Noli me tangere, also known as Christ Appearing to Mary Magdalene in the Garden, is a c. 1525 [1] painting by Correggio which depicts the noli me tangere interaction between Jesus and Mary Magdalene shortly after the Resurrection. It is currently in the collection of the Museo del Prado in Madrid.
María Clara de los Santos is a fictional character in José Rizal's novel Noli Me Tángere (1887). The beautiful María Clara is the childhood sweetheart and fiancée of the protagonist, Crisóstomo Ibarra, who returns to his Filipino hometown of San Diego to marry her.
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nemo me impune lacessit: No one provokes me with impunity: Motto of the Order of the Thistle, and consequently of Scotland, found stamped on the milled edge of certain British pound sterling coins. It is the motto of the Montressors in the Edgar Allan Poe short story "The Cask of Amontillado". Motto of the San Beda College Beta Sigma Fraternity.
Noli me tangere is an oil-on-canvas painting by Andrea del Sarto, executed c. 1510, depicting Jesus and Mary Magdalene soon after the resurrection. It was the first painting he produced for the Augustinian San Gallo church in Florence , as recorded by Anonimo Magliabechiano and in Vasari's Lives of the Artists , and he later produced the San ...