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The most common mythological being is the Belu, an ogre. The popularity of the Belu is due to the Yama Zatdaw, the Burmese version of the Ramayana, a very popular play in Myanmar, and also their roles in the Jatakas. A Thaman Chah or were-tiger, from a 19th-century Burmese watercolour
Burmese mythology (Burmese: ရှေးမြန်မာ့ဒဏ္ဍာရီ) is a collection of myths, folklore, legends, and beliefs traditionally told by the Burmese people of Myanmar. These stories have been passed down orally and have only rarely appeared in written form.
Folklore of Myanmar (Burma). Subcategories. This category has only the following subcategory. M. Burmese mythology (3 C, 4 P) ... Selections from Burmese Folk Tales;
According to Burmese traditional folklore, every year at the first day of Thingyan (the Burmese new year), Thagyamin visits the earth while being invisible. There, he observes every person: he records the names of good people in a golden book, and writes the names of evildoers in a book made of dog-skin leather.
A library of 43 volumes of folk tales, a total of 1597 stories, that he collected between 1962 and 1977 from most of the ethnic minorities of Burma was a truly Herculean undertaking. [1] [2] Many of these have been translated into several languages. [3] There are 5 other volumes of folktales from around the world to his credit.
Selections from Burmese Folk Tales is a book written by Htin Aung (also known by his penname, Maung Htin Aung). Oxford University Press, Amen House, London E.C.4 . First published 1951 Reprinted (three times) 1951 Reprinted (twice) 1952 Reprinted (six times) 1955 Reprinted 1956
Burmese folk religion refers to the animistic and polytheistic religious worship of nats (deities of local and Hindu origin) and ancestors in Myanmar (Burma). Although the beliefs of nats differ across different regions and villages in Burma, there are a handful of beliefs that are universal in Burmese folk religion. A nat is a god-like spirit ...
She is the guardian spirit of the graveyards and cemeteries in Myanmar. [1] [2] [3] Ma Phae Wah makes her home in the cemetery, but come midnight she hoists a coffin onto her shoulder and shuffles through town with her long hair waving in the spectral breeze. Woe to the household where she stops and lays her casket on the doorstep, for someone ...