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The Cajun accordion is generally defined as a single-row diatonic accordion, as compared to multiple-row instruments commonly used in Irish, Italian, polka, and other styles of music. The Cajun accordion has four reed ranks , i.e., four reeds for each melody button, and each reed bank is controlled by a corresponding stop or knob on the top of ...
The company also supplied sheet music for this new type of accordion. [12] Although these were reportedly popular, it was not until later when the instrument became more widespread. In Northern Europe, free-bass accordionist Mogens Ellegaard , along with Hugo Noth and Joseph Macerollo , [ 13 ] [ 14 ] helped popularize the instrument and inspire ...
A Cajun diatonic accordion. Cajun music (French: Musique cadienne), an emblematic music of Louisiana played by the Cajuns, is rooted in the ballads of the French-speaking Acadians of Canada. Although they are two separate genres, Cajun music is often mentioned in tandem with the Creole-based zydeco music.
An accordionist. Accordions (from 19th-century German Akkordeon, from Akkord —"musical chord, concord of sounds") [1] are a family of box-shaped musical instruments of the bellows-driven free reed aerophone type (producing sound as air flows past a reed in a frame).
Cormier is "one of the few women to establish herself in Cajun music" and she is the first professional female Cajun accordion musician. [6] She has been named the Cajun Queen in the United States and Europe. [5] In 1988, she was voted as Female Vocalist of the Year by The Times of Acadiana and she was given the title of Best Contemporary Artist.
Cajun fiddle music is a part of the American fiddle music canon. It is derived from the music of southwest Louisiana and southeast Texas, as well as sharing repertoire from the Quebec and Cape Breton Island traditions. [1] It is one of the few extant North American folk music traditions rooted in French chanson. [2]
He is credited by Louisiana music scholars with laying the groundwork in the early 20th century for both Creole and Cajun music. [4] He wrote several songs now regarded as Cajun and zydeco standards. His music and playing greatly inspired post-World War II Cajun accordion makers such as Marc Savoy. [5]
The return of the accordion contrasted with the popular Cajun recorded output of the late 1930s and 1940s, a time during which fiddles and Western Swing sounds from Texas were influencing Cajun music. The return of the accordion to prominence is referred to as a Cajun music renaissance, i.e. a return to the roots and rebirth in Cajun pride in ...