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Ganesha, Lakshmi and Sarswati are often grouped together as the divinities immediately responsible for material welfare. Ganesha and Saraswati share control over Buddhi (Wisdom), while Ganesha and Lakshmi are both deities of Riddhi and Siddhi (material and spiritual success). [45]
Mahasarasvati is described to be the slayer of Shumba in the Devi Bhagavata Purana, suggesting that she has little to do with Saraswati. [7] Mahalakshmi is the prosperity aspect of Devi. She has two forms, Vishnu-priya Lakshmi and Rajyalakshmi. The former is the embodiment of chastity and virtuousness. The latter goes about courting kings.
Lakshmi, along with Parvati and Saraswati, is a subject of extensive Subhashita, genomic and didactic literature of India. [77] Composed in the 1st millennium BCE through the 16th century CE, they are short poems, proverbs, couplets, or aphorisms in Sanskrit written in a precise meter.
Gnana Saraswati Temple (Telugu: శ్రీ జ్ఞాన సరస్వతి దేవస్థానము) is a Hindu temple of Goddess Saraswati located on the banks of Godavari River at Basara, Telangana, India. [1] It is one of the two famous Saraswati temples in the Indian subcontinent, the other being Sharada Peeth.
Lakshmi Narasimha Temple, also referred to as Lakshminarasimha temple of Bhadravati, is a 13th-century Hindu temple dedicated to Vishnu, built by the Hoysala ruler Vira Someshwara. [note 1] It is located in Bhadravati, Shimoga District of Karnataka state, India. The temple opens to the east and has three sanctums, one each dedicated to ...
Statue of Lakshmi, one of the primary bearers of the epithet Bhagavati. Bhagavatī (Devanagari: भगवती, IAST: Bhagavatī), is an Indian epithet of Sanskrit origin, used as an honorific title for goddesses in Hinduism and Buddhism. In Hinduism, it is primarily used to address the goddesses Sarasvati, Lakshmi and Parvati.
This print from the Ravi Varma Press derived from a painting by Raja Ravi Varma follows the iconographic description of Saraswati as found in the 50th chapter of the Agni Purana. She is described in the Agni Purana as being attired in white and playing the Veena with two arms and holding an aksha-mala (a string of pearls) and a pustaka (book ...
In Hindu mythology, Gajalakshmi is regarded to have restored the wealth and power lost by Indra when she rose from the Samudra Manthana, the churning of the ocean.She is portrayed with four arms, adorned in red attire, holding lotuses in two hands, while the other hands display the abhaya mudra and varada mudra.