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In this essay, Eliot attempts to define the metaphysical poet and in doing so to determine the metaphysical poet's era as well as his discernible qualities. We may express the difference by the following theory: The poets of the seventeenth century, the successors of the dramatists of the sixteenth, possessed a mechanism of sensibility which ...
The poet Abraham Cowley, in whose biography Samuel Johnson first named and described Metaphysical poetry. The term Metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterised by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse.
Eliot's work fundamentally changed literary thinking and Selected Essays provides both an overview and an in-depth examination of his theory. [1] It was published in 1932 by his employers, Faber & Faber, costing 12/6 (2009: £32). [2] In addition to his poetry, by 1932, Eliot was already accepted as one of English Literature's most important ...
The poem's structure was heavily influenced by Eliot's extensive reading of Dante Alighieri [4] and makes several references to the Bible and other literary works—including William Shakespeare's plays Henry IV Part II, Twelfth Night, and Hamlet; the poetry of 17th-century metaphysical poet Andrew Marvell; and the 19th-century French ...
"Tradition and the Individual Talent" (1919) is an essay written by poet and literary critic T. S. Eliot.The essay was first published in The Egoist (1919) and later in Eliot's first book of criticism, The Sacred Wood (1920). [1]
Eliot's essays were a major factor in the revival of interest in the metaphysical poets. Eliot particularly praised the metaphysical poets' ability to show experience as both psychological and sensual, while at the same time infusing this portrayal with—in Eliot's view—wit and uniqueness.
In Ash Wednesday Eliot’s poetic persona, one who has lacked faith in the past, has somehow found the courage, through spiritual exhaustion, to seek faith. In the first section, Eliot introduces the idea of renunciation with a quote from Cavalcanti , in which the poet expresses his devotion to his lady as death approaches.
"Preludes" is a poem by T. S. Eliot, composed between 1910 and 1911. [1] It is in turns literal and impressionistic, exploring the sordid and solitary existences of the spiritually moiled as they play out against the backdrop of the drab modern city. In essence, it is four poems rather than one, and it is duly labelled as such.