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The musical system of ancient Greece evolved over a period of more than 500 years from simple scales of tetrachords, or divisions of the perfect fourth, into several complex systems encompassing tetrachords and octaves, as well as octave scales divided into seven to thirteen intervals.
Musical scene with three women painted by the Niobid painter.Side A of a red-figure amphora, Walters Art Museum. Music played an integral role in ancient Greek society. Pericles' teacher Damon said, according to Plato in the Republic, "when fundamental modes of music change, the fundamental modes of the state change with t
In music theory, a tetrachord (Greek: τετράχορδoν; Latin: tetrachordum) is a series of four notes separated by three intervals.In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency proportion (approx. 498 cents)—but in modern use it means any four-note segment of a scale or tone row, not necessarily related to a particular tuning ...
The ancient Greek concept of four basic elements, these being earth (γῆ gê), water (ὕδωρ hýdōr), air (ἀήρ aḗr), and fire (πῦρ pŷr), dates from pre-Socratic times and persisted throughout the Middle Ages and into the Early modern period, deeply influencing European thought and culture.
The music of Greece is as diverse and celebrated as its history.Greek music separates into two parts: Greek traditional music and Byzantine music.These compositions have existed for millennia: they originated in the Byzantine period and Greek antiquity; there is a continuous development which appears in the language, the rhythm, the structure and the melody. [1]
The Seikilos epitaph is an Ancient Greek inscription that preserves the oldest surviving complete musical composition, including musical notation. [1] Commonly dated between the 1st and 2nd century AD, the inscription was found engraved on a pillar from the ancient Hellenistic town of Tralles (present-day Turkey) in 1883.
The octave species (scale) underlying the ancient-Greek Phrygian tonos (in its diatonic genus) corresponds to the medieval and modern Dorian mode. The terminology is based on the Elements by Aristoxenos (fl. c. 335 BCE), a disciple of Aristotle. The Phrygian tonos or harmonia is named after the ancient kingdom of Phrygia in Anatolia.
Les quatre élémens (The Four Elements), S.80, is a cycle of four choral pieces by Franz Liszt, to words by Joseph Autran. The cycle was composed in 1844–48, originally with piano accompaniment, later orchestrated. The title is an allusion to the Ancient Greek elements: earth, air, water, and fire.