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Anaglyph 3D images contain two differently filtered colored images, one for each eye. When viewed through the "color-coded" "anaglyph glasses", each of the two images is visible to the eye it is intended for, revealing an integrated stereoscopic image.
A simple 3D Amber-Blue snapshot of the ColorCode 3D glasses. ColorCode 3-D is an anaglyph 3D stereoscopic viewing system deployed in the 2000s that uses amber and blue filters. It is intended to provide the perception of nearly full colour viewing with existing television, digital and print mediums.
Anaglyph 3D images contain two differently filtered colored images, one for each eye. When viewed through the "color-coded" "anaglyph glasses", each of the two images reaches one eye, revealing an integrated stereoscopic image. The visual cortex of the brain fuses this into perception of a three dimensional scene or composition. [22]
The archetypal 3D glasses, with modern red and cyan color filters, similar to the red/green and red/blue lenses used to view early anaglyph films. In an anaglyph, the two images are superimposed in an additive light setting through two filters, one red and one cyan.
However, it requires a significant increase in expense: even the low cost polarized glasses typically cost 50% more than comparable red-cyan filters, [16] and while anaglyph 3D films can be printed on one line of film, a polarized film was often done with a special set up that uses two projectors.
However, advances in 3D technology have allowed old stereoviews to be reproduced on digital media or the print page to be viewed using paper glasses. Anaglyph 3D is the name given to the stereoscopic 3D effect achieved by means of encoding each eye's image using filters of different (usually chromatically opposite) colours, typically red and ...