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C. N. Liew (Chinese: 刘庆伦; pinyin: Liu Qing Lun) (born 1975) [1] is a Malaysian Chinese painter and calligrapher based in Hong Kong. His artwork was also the first Chinese calligraphy collected by the Malaysian Royal Palace. [2] He is also an alumnus of Chong Hwa Independent High School, Kuala Lumpur. In celebration of Chong Hwa's Schools ...
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. [1]
Nine-fold seal script [a] [1] [2] or nine-fold script, [b] [3], also called jiudiezhuan [1] [2] or jiudiewen [3], nine-bend script, [3] or translated as layered script [5] is a highly stylised form of Chinese calligraphy derived from small seal script, using convoluted winding strokes aligned to horizontal and vertical directions, folded back and forth to fill the available space.
Some common calligraphic styles in Malaysia are the Islamic, Chinese and Indian calligraphy. This artform is applied as building decorations such as interior ornamentations, decoration for mosques or temples, signages, books, currency and old manuscripts among others. The drawing of Malaysian batik.
Print/export Download as PDF; Printable version; In other projects Wikimedia Commons; Wikidata item; ... Chinese calligraphy (2 C, 36 P) J. Japanese calligraphy (1 C ...
His style of regular script, often called Yan script (Yanti 顏體), brought Chinese calligraphy to a new realm, emphasizing strength, boldness, and grandness. Like most of the master calligraphers, Yan Zhenqing learned his skill from various calligraphers, and the development of his personal style can be basically divided into three stages.
Invented in China around 300 B.C.E, the bamboo brush was originally intended solely for traditional calligraphy and ink painting styles. When grouped together with the inkstone, inkstick, and xuan ...
Cheng Haw-Chien was born in 1948 in Penang, Malaysia. He studied the Lingnan style of painting, which fuses elements of Western and Japanese realism with Chinese ink painting on rice paper. [ 1 ] He learned Chinese brush painting and western art forms enthusiastically when he was an adolescent.