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Vadakkan Pattukal (lit. ' the ballads of the north ' ) are a collection of Malayalam ballads from the medieval period (12th-20th century). [ 1 ] [ 2 ] The genre as a whole represents the sentiment of vira , or the heroic, through its depictions of "valour and sacrifice."
Mappila songs have been in circulation for over seven centuries, with the first dated work Muhyidheen Mala attributed to Qadi Muhammad in 1607 AD. Thereafter a large number of literary materials were produced in this medium; one authority has calculated that of these more than 1600 items, complete or fragmentary, were known by 1976. [2]
Before the emergence of Malayalam cinema and its distinct film music, the people of Kerala avidly followed Tamil and Hindi film songs, a practice that persists to this day. The history of Malayalam film songs traces back to the 1948 film Nirmala, produced by Artist P.J. Cherian, which marked the introduction of playback singing in Malayalam cinema.
Thottam Pattu (Malayalam: തോറ്റം പാട്ട്) is a ballad sung just before performing the Theyyam ritual. These are played in Theyyam temples before the commencement of Theyyam Art. Thottam Pattu is invocative. This is a mythological belief that by performing this ritual, the performer will be possessed by divine spirits.
In Oru Vadakkan Veeragatha, a Malayalam film released in 1989, Chandu is portrayed by Mammootty, which won him the National Award for Best Actor. [3] [4] Devan played Chathiyan Chandhu Chekkavar in 2002 Malayalam film Puthooramputhri Unniyarcha. Kunal Kapoor portrayed Chandu in the 2016 Malayalam film Veeram. [5] [6]
She has recorded songs for film music and albums in all the four South Indian languages namely, Malayalam, Tamil, Telugu, Kannada along with the Hindi language and has established herself as a leading playback singer of South Indian cinema. Some of her inspirations are Sujatha Mohan (her mother), K.S. Chitra and Lata Mangeshkar. [1]
The songs of Moyinkutty Vaidyar are distinguished by their depth of imagination, the beauty of the metaphors used, the creativity comparisons involved and the variety of their ishals (tunes/modes). [8] His poems depicted the emotional manifestation of Muslims of the day, using literary forms such as romanticism, devotionalism and social realism ...
She sings in Hindi, Malayalam, Tamil, Telugu, kannada, Marathi, Gujarati, Bengali, Assamese, Nepali, Oriya, Bhojpuri, Punjabi and Tulu languages. Ghoshal's career began when she won the Sa Re Ga Ma Pa contest as an adult.