Ad
related to: mongolian music history
Search results
Results From The WOW.Com Content Network
Playtime Festival, Mongolia's largest annual music festival. Largely unknown outside of Mongolia, there is a thriving popular music scene centred in the city of Ulaanbaatar. Actually, this is a mixture of various kinds of popular music. It is often subdivided into pop, rock, hip hop, and alternative (consisting of alternative rock and heavy metal).
Tsuur (Mongolian: ᠴᠤᠭᠤᠷ /цуур) - end blown flute without mouthpiece, mostly made from light wood, like bamboo, other materials: Buree class (Mongolian: "бүрээ") - clarinet style of blown instruments Ever Buree - (Mongolian: "эвэр бүрээ") - horn-shaped clarinet
The Mongolian long song folk music tradition has ties to other national traditions and customs, including Mongolian history, culture, aesthetics, ethics and philosophy. The main feature of the long song is the shuranhai (prolonged, tenuto notes with deeply modulated vibrato on the vowels ).
A number of folk metal and folk rock bands from Mongolia and the Chinese autonomous region of Inner Mongolia have combined heavy metal and rock music with traditional Mongolian lyrical themes and instruments, including the morin khuur; some of these bands include Altan Urag, Nine Treasures, Tengger Cavalry, Hanggai, the Hu, and Uuhai.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
The classical music owes its prosperity in the 2nd half of the 20th century to a patronage of the then Socialist government that favoured Western and Russian/Soviet classical arts to Western pop culture. In addition, the Mongolian composers developed a rich diversity of national symphony and ballet.
"Zuun Langiin Joroo Luus" (Mongolian: Зуун лангийн жороо луус) is a Mongolian folk song that was the national anthem of the Bogd Khanate of Mongolia. [1] After the establishment of Mongolia in 1911, Bogd Khan chose this song as the national anthem in 1915 and it served in such a capacity until 1924 when it was replaced by ...
The Uriangkhai called the tsuur the “Father of Music”. A three-holed pipe was in use in Mongolia in the 18th century and was believed to possess the magical properties of bringing lamb’s bones back to life. In the Jangar epic of the 14th century, the tsuur is said to have had a voice like a swan. This reference may also be indirectly a ...