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Guerrilla art is a street art movement that first emerged in the UK, but has since spread around the world and is now established in most countries that already had developed graffiti scenes. In fact, it owes so much to the early graffiti movement, in the United States guerrilla art is still referred to as 'post-graffiti art'.
During the Granada War, Spanish captain Hernán Pérez del Pulgar routinely employed psychological tactics as part of his guerrilla actions against the Emirate of Granada. In 1490, infiltrating the city by night with a small retinue of soldiers, he nailed a letter of challenge on the main mosque and set fire to the alcaicería before withdrawing.
Soon after, he completed his first book on art, The Psychology of Art, published in three volumes (1947–1949). The work was subsequently revised and republished in one volume as The Voices of Silence (Les Voix du Silence), the first part of which has been published separately as The Museum without Walls. Other important works on the theory of ...
Critical psychology is a perspective on psychology that draws extensively on critical theory. Critical psychology challenges the assumptions, theories and methods of mainstream psychology and attempts to apply psychological understandings in different ways.
Marxist aesthetics is a theory of aesthetics based on, or derived from, the theories of Karl Marx. It involves a dialectical and materialist, or dialectical materialist, approach to the application of Marxism to the cultural sphere, specifically areas related to taste such as art, beauty, and so forth. Marxists believe that economic and social ...
The psychology of art is the scientific study of cognitive and emotional ... a term that was to become a key element in many subsequent theories of art psychology. ...
The surrealists related theories of psychology to the idea of creativity and the production of art. In the mid-1930s André Breton wrote about a "fundamental crisis of the object". The object began being thought of not as a fixed external object but also as an extension of our subjective self.
In psychology of art, the relationship between art and emotion has newly been the subject of extensive study thanks to the intervention of esteemed art historian Alexander Nemerov. Emotional or aesthetic responses to art have previously been viewed as basic stimulus response, but new theories and research have suggested that these experiences ...