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  2. English embroidery - Wikipedia

    en.wikipedia.org/wiki/English_embroidery

    The Butler-Bowdon Cope, 1330–1350, V&A Museum no. T.36-1955.. The Anglo-Saxon embroidery style combining split stitch and couching with silk and goldwork in gold or silver-gilt thread of the Durham examples flowered from the 12th to the 14th centuries into a style known to contemporaries as Opus Anglicanum or "English work".

  3. Comparison of embroidery software - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_embroidery...

    Embroidery software is software that helps users create embroidery designs. While a large majority of embroidery software is specific to machine embroidery , there is also software available for use with hand embroidery techniques, such as cross-stitch .

  4. Needlework Development Scheme - Wikipedia

    en.wikipedia.org/wiki/Needlework_Development_Scheme

    The scheme was started by the four Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow in 1934 under the name Needlework Development in Scotland Scheme.The project was a collaboration between industry and art education, that was to help elevate the standard of design and technique in Scottish embroidery.

  5. Embroidermodder - Wikipedia

    en.wikipedia.org/wiki/Embroidermodder

    Embroidermodder is a free machine embroidery software tool that supports a variety of formats and allows the user to add custom modifications to their embroidery designs. History [ edit ]

  6. Broderie anglaise - Wikipedia

    en.wikipedia.org/wiki/Broderie_Anglaise

    Broderie anglaise (French, "English embroidery", pronounced [bʁɔdʁi ɑ̃ɡlɛz]) is a whitework needlework technique incorporating features of embroidery, cutwork and needle lace that became associated with England, due to its popularity there in the 19th century.

  7. Butler-Bowdon Cope - Wikipedia

    en.wikipedia.org/wiki/Butler-Bowdon_Cope

    This was the ideal base for the high quality English embroidery (called Opus Anglicanum, the Latin for "English work") which was much coveted by the most powerful people in Europe including kings and popes, and was used as a forceful visual statement of their wealth and status. [1] Many medieval church vestments were later cut up and re-used ...