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Beowulf: A New Verse Translation (also known as Heaneywulf [1]) is a verse translation of the Old English epic poem Beowulf into modern English by the Irish poet and playwright Seamus Heaney. It was published in 1999 by Farrar, Straus, and Giroux and Faber and Faber , and won that year's Whitbread Book of the Year Award .
This is a list of translations of Beowulf, one of the best-known Old English heroic epic poems. Beowulf has been translated many times in verse and in prose. By 2020, the Beowulf's Afterlives Bibliographic Database listed some 688 translations and other versions of the poem, from Thorkelin's 1787 transcription of the text, and in at least 38 languages.
It represents Tolkien's attempt to reconstruct the folktale underlying the narrative of the first half of Beowulf. The book ends with two versions of Tolkien's "The Lay of Beowulf". The former, subtitled "Beowulf and Grendel", is a poem or song [5] of seven eight-line stanzas about Beowulf's victory over Grendel. The latter is a poem of fifteen ...
A complicating factor is that Beowulf scholarship has been affected by nationalist thinking in various countries. [44] [45] Heaney, a Catholic poet from Northern Ireland (often called "Ulster"), could domesticate Beowulf to the old rural dialect of his childhood family only at the risk of being accused of cultural appropriation.
This was followed by Seamus Heaney's version of the poem "Whitby-sur-Moyola" in his The Spirit Level (1996), Paul Muldoon's "Caedmona's Hymn" in his Moy Sand and Gravel (2002) and U. A. Fanthorpe's "Caedmon's Song" in her Queuing for the Sun (2003). In 2000, Seamus Heaney published his translation of Beowulf.
Seamus Justin Heaney MRIA (13 April 1939 – 30 August 2013) was an Irish poet, playwright and translator.He received the 1995 Nobel Prize in Literature.Among his best-known works is Death of a Naturalist (1966), his first major published volume.
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[85] [86] Thomas Gardner agreed with Watts, arguing that the Beowulf text is too varied to be completely constructed from set formulae and themes. [85] [87] John Miles Foley wrote that comparative work must observe the particularities of a given tradition; in his view, there was a fluid continuum from traditionality to textuality. [88]