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The subjective character of experience is a term in psychology and the philosophy of mind denoting that all subjective phenomena are associated with a single point of view ("ego"). The term was coined and illuminated by Thomas Nagel in his famous paper " What Is It Like to Be a Bat? " [ 1 ]
Openness to experience is a general appreciation for art, emotion, adventure, unusual ideas, imagination, curiosity, and variety of experience. People who are open to experience are intellectually curious, open to emotion, sensitive to beauty, and willing to try new things.
Robert Hogan (born September 4, 1937) is an American personality psychologist and organizational psychologist known for developing socioanalytic theory, [1] which fuses psychoanalytic theory, role theory, and evolutionary theory.
Phenomenology or phenomenological psychology, a sub-discipline of psychology, is the scientific study of subjective experiences. [1] It is an approach to psychological subject matter that attempts to explain experiences from the point of view of the subject via the analysis of their written or spoken words. [ 2 ]
Charles Bruce Greyson (born October 1946) is an American psychiatrist and near-death experience researcher. During his research of near-death experiences, known as near-death studies, he has documented many accounts of near-death experiences, and has written many journal articles, as well as participated in media interviews on the subject, playing a crucial role in inviting broader cross ...
The experience sampling method (ESM), [1] also referred to as a daily diary method, or ecological momentary assessment (EMA), is an intensive longitudinal research methodology that involves asking participants to report on their thoughts, feelings, behaviors, and/or environment on multiple occasions over time. [2]
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Flow is of particular interest to positive psychology because its experience is pleasurable. [113] Aesthetic experience is a central concept in the psychology of art and experimental aesthetics. [114] It refers to the experience of aesthetic objects, in particular, concerning beauty and art. [115]