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Anthropomorphism of inanimate objects can affect product buying behavior. When products seem to resemble a human schema, such as the front of a car resembling a face, potential buyers evaluate that product more positively than if they do not anthropomorphize the object. [87]
Words for these concepts are sometimes cited as antonyms to schadenfreude, as each is the opposite in some way. There is no common English term for pleasure at another's happiness (i.e.; vicarious joy), though terms like 'celebrate', 'cheer', 'congratulate', 'applaud', 'rejoice' or 'kudos' often describe a shared or reciprocal form of pleasure.
A blank expression, also known as a poker face, is a facial expression characterized by neutral positioning of the facial features, implying a lack of strong emotion. It may be caused by emotionlessness, depression , boredom or slight confusion , such as when a listener does not understand what has been said.
Resting bitch face (RBF) is a facial expression that unintentionally creates the impression that a person is angry, annoyed, irritated, or contemptuous, particularly when the individual is relaxed, or resting.
Noy & Noy-Sharav also claim that art is the most potent form of emotional communication. They cite examples of people being able to listen to and dance to music for hours without getting tired and literature being able to take people to far away, imagined lands inside their heads. Instead of being passive recipients of actions and images, art ...
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The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, [1] often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...