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"Keep It Between the Lines" is a song written by Russell Smith and Kathy Louvin, and recorded by American country music singer Ricky Van Shelton. It was released in July 1991 as the second single from his fourth studio album Backroads , and was the tenth and final No. 1 single of his career.
"Read About It" is a song by Australian rock band Midnight Oil, released as the third and final single from their 1982 studio album, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1. It was a favourite with the band and with fans, appearing at least once on every tour since its release, as well as being played at the WaveAid concert in 2005.
The Dire Straits songs makes use of certain aspects of Shakespeare's play, as well as elements of some of the play's stage and screen adaptations. It also purposely diverges from the play's plot and characterizations in certain respects (such as Juliet's reaction to being approached by Romeo).
"Keep On Chooglin'" is a song written by John Fogerty that was first released as the final song on Creedence Clearwater Revival's 1969 album Bayou Country. The song was often used to close Creedence Clearwater Revival concerts and was later covered by several other artists including Fogerty as a solo artist.
Songfacts is a music-oriented website that has articles about songs, detailing the meaning behind the lyrics, how and when they were recorded, and any other info that can be found. [ 2 ] [ 3 ] [ 4 ]
The song was then recorded at Columbia Studios in New York on October 23 and 24; [6] the latter session yielding the version that became the title song of Dylan's third album. [7] The a-in the song title is an archaic intensifying prefix, as in the British songs "A-Hunting We Will Go" and "Here We Come a-Wassailing", from the 18th and 19th century.
Songs about school have probably been composed and sung by students for as long as there have been schools. Examples of such literature can be found dating back to Medieval England. [ 1 ] The number of popular songs dealing with school as a subject has continued to increase with the development of youth subculture starting in the 1950s and 1960s.
You Light Up My Life: Inspirational Songs received generally negative to mixed reviews from music critics. Most criticism was given to the album's production. Writing for The Rolling Stone Album Guide, Arion Berger described the album as "an incoherent mess of western fluff and overblown ballads".