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The following is a partial list of concertos by Joseph Haydn (1732–1809). In the Hoboken catalogue of Haydn's works, concertos for most instruments are in category VII with a different letter for each solo instrument (VIIa is for violin concertos, VIIb is for cello concertos, etc.).
Painting of Haydn by John Hoppner (1791) Joseph Haydn was a prolific composer of the classical period. He is regarded as the "father of the symphony" and the "father of the string quartet" for his more than 100 symphonies and almost 70 string quartets. Haydn also produced numerous operas, masses, concertos, piano sonatas and other
Pages in category "Concertos by Joseph Haydn" The following 10 pages are in this category, out of 10 total. ... Trumpet Concerto (Haydn) V. Violin Concerto No. 1 (Haydn)
The Haydn catalogue that now bears Hoboken's name was begun in card format in 1934; work continued until the publication of the third and final book volume in 1978. Works by Haydn are often indicated using their Hoboken catalogue number, typically in the format "Violin Concerto No. 1 in C major, Hob. VIIa:1".
Haydn and Mozart probably had become acquainted by 1784, when this concerto was published. Although Mozart returned from Italy in March 1773 at the age of seventeen, he did not turn to piano concertos until 1776; [ 2 ] nonetheless, some biographers and music historians suggest that distinct similarities in this work by Haydn might indicate ...
The Violin Concerto No. 1 in C major (Hob. viia/1) by Joseph Haydn, fatto per il luigi, was written in the 1760s for a well-known violinist of the time, Luigi Tomasini, who was just back from Italy and soon became the concertmaster of the Esterházy orchestra. [1] None of Haydn's violin concertos exist today in autograph form. [2]
Haydn, Hummel, L. Mozart: Trumpet Concertos is a studio album of trumpet concertos by Joseph Haydn, Leopold Mozart and Johann Nepomuk Hummel, performed by Wynton Marsalis with the National Philharmonic Orchestra under the direction of Raymond Leppard. The album won a Grammy award in 1984 for Best Instrumental Soloist Performance with orchestra.
The first of Haydn’s keyboard works to be conceived with the dynamic contrasts only possible with a touch sensitive keyboard e.g. clavichord or fortepiano rather than harpsichord. Published 1780 in Vienna by Artaria as one of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger