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  2. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...

  3. Musical temperament - Wikipedia

    en.wikipedia.org/wiki/Musical_temperament

    In the words of William Hubbard's Musical Dictionary (1908), an anomalous chord is a "chord containing an interval" that "has been made very sharp or flat in tempering the scale for instruments of fixed pitches". [2] The development of well temperament allowed fixed-pitch instruments to play reasonably well in all of the keys.

  4. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F

  5. Piano tuning - Wikipedia

    en.wikipedia.org/wiki/Piano_tuning

    A man tuning an upright piano. Piano tuning is the process of adjusting the tension of the strings of an acoustic piano so that the musical intervals between strings are in tune. The meaning of the term 'in tune', in the context of piano tuning, is not simply a particular fixed set of pitches. Fine piano tuning requires an assessment of the ...

  6. Étude Op. 10, No. 5 (Chopin) - Wikipedia

    en.wikipedia.org/wiki/Étude_Op._10,_No._5_(Chopin)

    Étude Op. 10, No. 5 in G ♭ major is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 in France, [1] Germany, [2] and England [3] as the fifth piece of his Études Op. 10.

  7. Meantone temperament - Wikipedia

    en.wikipedia.org/wiki/Meantone_temperament

    However, there is a residual gap in quarter-comma meantone tuning between the last of the upper sequence of six fifths and the last of the lower sequence; e.g. between F ♯ and G ♭ if the starting point is chosen as C, which, adjusted for the octave, are in the ratio of ⁠ 125 / 128 ⁠ or -41.06 cents. This is in the sense opposite to the ...