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In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" [1] This is indicated ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
triplet (shown with a horizontal bracket and a '3') Three notes in the place of two, used to subdivide a beat. triste Sad, wistful tronco, tronca Broken off, truncated troppo Too much; usually seen as non troppo, meaning moderately or, when combined with other terms, not too much, such as allegro [ma] non troppo (fast but not too fast) turn
Polyrhythm: Triplets over duplets in all four beats [1] 2:3 polyrhythm (cross rhythm) as bounce inside oval Polyrhythm (/ ˈ p ɒ l i r ɪ ð əm /) is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. [2]
The habanera was the first of many Cuban music genres which enjoyed periods of popularity in the United States, and reinforced and inspired the use of tresillo-based rhythms in African American music. [b] From the perspective of African American music, the habanera rhythm can be thought of as a combination of tresillo and the backbeat. [19]
The Triplets, a Spanish children's book; The Triplets (band), a Latin pop group; Binghamton Triplets, a minor league baseball team; A triplet, a kind of assembled gem; In music, a tuplet of three successive notes of equal duration "The Triplets", Tyler Johnson, Ondrej Palat, and Nikita Kucherov of the 2014–15 Tampa Bay Lightning
In Baroque music, dotted notation was sometimes used to indicate triplet rhythms when it seemed obvious. Dots can be used across barlines, such as in H. C. Robbins Landon's edition of Joseph Haydn's Symphony No. 70 in D major, but most writers today regard this usage as obsolete and recommend using a tie across the barline instead. [5]
Lapidary (from the Latin lapidarius) is the practice of shaping stone, minerals, or gemstones into decorative items such as cabochons, engraved gems (including cameos), and faceted designs. A person who practices lapidary techniques of cutting, grinding, and polishing is known as a lapidary or lapidarist.