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His work, a series of Christmas-themed fairy illustrations, received wider public visibility in the Illustrated London News. The Scottish artist Joseph Noel Paton exhibited two immensely detailed paintings, The Quarrel of Oberon and Titania and The Reconciliation of Titania and Oberon, based on the popular fairy scenes of A Midsummer Night's Dream.
The fable's antagonist the Evil Queen with the protagonist Snow White as depicted in The Sleeping Snow White by Hans Makart (1872). At the beginning of the story, a queen sits sewing at an open window during a winter snowfall when she pricks her finger with her needle, causing three drops of blood to drip onto the freshly fallen snow on the black window sill.
Fantasy can be described as all of the following: Genre – any category of literature or other forms of art or entertainment, e.g. music, whether written or spoken, audial or visual, based on some set of stylistic criteria. For example, jazz is a genre of music. Fantasy is a genre of fiction, and more specifically, a genre of speculative fiction.
Xmas is an abbreviation of Christmas found particularly in print, based on the initial letter chi (Χ) in the Greek Χριστός (Christ), although some style guides discourage its use. [10] This abbreviation has precedent in Middle English Χρ̄es masse (where Χρ̄ is another abbreviation of the Greek word). [9]
Although it is not standard, these types of interactive children's books are sometimes published with a common theme such as Christmas or life on the farm. Children can interactively experience a selective number of these books as early as age four and beginning at a pre-kindergarten grade level, depending on how easily the hidden objectives ...
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Front cover of the first book (1988). Catwings is a series of four American children's picture books written by Ursula K. Le Guin, illustrated by S. D. Schindler, and originally published by Scholastic from 1988 to 1999.
The Colour of Magic is a 1983 fantasy comedy novel by Terry Pratchett, and is the first book of the Discworld series. The first printing of the British edition consisted of only 506 copies. [1] Pratchett has described it as "an attempt to do for the classical fantasy universe what Blazing Saddles did for Westerns." [2]