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The Madonna della Pietà colloquially known as La Pietà (Italian: [maˈdɔnna della pjeˈta]; 1498–1499) is a Roman Catholic Italian Carrara marble sculpture of Jesus Christ and the Virgin Mary at Mount Golgotha, a subject in art known as the Pietà.
The statue is dated around the year 980 [2] and was thus created during the tenure of Mathilde, a granddaughter of Emperor Otto I, as abbess of Essen Abbey.Under her reign and those of her successors Sophia of Gandersheim (1012–1039) and Theophanu (1039–1058), the abbey acquired what is today considered the most precious of the works of art of the Essen treasury.
Michelangelo Buonarotti's Pietà in Saint Peter's Basilica, 1498–1499.Crowned by the Pontifical decree of Pope Urban VIII in 1637.. The Pietà (Italian pronunciation:; meaning "pity", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from the Cross.
From about the third or fourth century onwards, the child Jesus is frequently shown in paintings, and sculpture. Commonly these are nativity scenes showing the birth of Jesus, with his mother Mary, and her husband Joseph. Depictions as a baby with the Virgin Mary, known as Madonna and Child, are iconographical types in Eastern and Western ...
The Madonna of Bruges is a marble sculpture by Michelangelo of the Virgin and Child. Michelangelo's depiction of the Madonna and Child differs significantly from earlier representations of the same subject, which tended to feature a pious Virgin smiling down on an infant held in her arms. Instead, Jesus stands upright, almost unsupported, only ...
The baby Jesus lies between Mary and Joseph who are both kneeling. A small angel joins the two admiring parents whilst the cow and ass seem to be warming Jesus with their breath. The flight into Egypt. The Virgin Mary sits side-saddle on a donkey, her feet resting on a suspended board which has created a large stirrup.