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The readymades of Marcel Duchamp are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art". [1] By simply choosing the object (or objects) and repositioning or joining, titling and signing it, the found object became art.
An antidote to what Duchamp called "retinal art", In Advance of the Broken Arm was the second of a series of sculptures that he named "ready-mades", the most famous of which is his 1917 Fountain. At the time, the term "ready-made" referred to manufactured goods as opposed to handmade goods, but Duchamp used the term to describe "an ordinary ...
Henri-Robert-Marcel Duchamp (UK: / ˈ dj uː ʃ ɒ̃ /, US: / dj uː ˈ ʃ ɒ̃, dj uː ˈ ʃ ɑː m p /; [1] French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art.
In American Art News, there were prizes offered to anyone who could find the nude. [23] After attending the Armory Show and seeing Marcel Duchamp's nude, President Theodore Roosevelt wrote: "Take the picture which for some reason is called 'A Naked Man Going Down Stairs'. There is in my bathroom a really good Navajo rug which, on any proper ...
Eljer Co. Highest Quality Two-Fired Vitreous China Catalogue 1918 Bedfordshire No. 700. Marcel Duchamp had arrived in the United States less than two years prior to the creation of Fountain and had become involved with Francis Picabia, Man Ray, and Beatrice Wood (amongst others) in the creation of an anti-rational, anti-art, proto-Dada cultural movement in New York City.
Portrait of Dr. Dumouchel is a 1910 painting by Marcel Duchamp. Raymond Dumouchel was a former schoolmate and a student in Radiology, an emerging field at the time (X-rays had been discovered in 1895). Duchamp painted the left hand of Dumouchel surrounded by an aura, suggestive of both the rays he worked with and his healing powers. [1] [2] [3]
M. File:Marcel Duchamp, 1910, Joueur d'échecs (The Chess Game), oil on canvas, 114 x 146.5 cm, Philadelphia Museum of Art.jpg; File:Marcel Duchamp, 1911-12, Nude (Study), Sad Young Man on a Train (Nu -esquisse-, jeune homme triste dans un train), Peggy Guggenheim Collection, Venice.jpg
Henri-Pierre Roché and Marcel Duchamp, visiting from France, organized the magazine with Beatrice Wood in New York City. Mina Loy also contributed to the first, Independents' Number issue. They published only one more issue, with the following contributors: Walter Arensberg (Axiom, Theorem, poems), Gabrièle Buffet-Picabia (Marie Laurencin ...