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The Execution of Torrijos and his Companions on the Beach at Málaga (Spanish: Fusilamiento de Torrijos y sus compañeros en las playas de Málaga), is a painting by Antonio Gisbert Pérez. It is considered to be one of the finest pieces of Spanish history painting , from the 19th century.
In 1957, Ruth Matilda Anderson, Curator of Costumes at the Hispanic Society of America (HSA), published her book Costumes: Painted by Sorolla in his Provinces of Spain. In great detail, she commented on the ethnographical background, referring to local dress and lifestyles, regional Spanish history and literature of Sorolla's paintings.
Detail of the votive crown of Reccesuinth, from the Treasure of Guarrazar, now in Madrid.The hanging letters spell [R]ECCESVINTUS REX OFFERET [King R. offers this]. [6]The Christianized Visigoths ruled Iberia after the collapse of the Empire, and the rich 7th century Treasure of Guarrazar, probably deposited to avoid looting in the Muslim Conquest of Spain, is now a unique survival of ...
Goya sought inspiration in typically Spanish motifs, despite having access to more popular works. [20] The painting depicts a scene from Act III of Zamora's comedy, which is a reinterpretation of The Trickster of Seville and the Stone Guest by Tirso de Molina, a retelling of the Don Juan legend. Zamora’s play was a success, performed annually ...
The Haunted History of Halloween; Heavy Metal; Heroes Under Fire; Hidden Cities; Hidden House History; High Hitler; High Points in History; Hillbilly: The Real Story; History Alive; History Films; History in Color; History Now; History of Angels [19] A History of Britain; A History of God [20] History of the Joke; The History of Sex; History ...
Characters depicted in the painting. The group of Christian conquerors is depicted on the right side of the painting, as seen from the viewer. A gap appears slightly to the left of center, separating the Christian Kings from the conquered Muslims. This separation is reinforced by a wheel track visible on the path. This also emphasizes perspective.
Las Hilanderas (Spanish pronunciation: [las ilanˈdeɾas]; "The Spinners") is a painting by the Spanish painter Diego Velázquez, in the Museo del Prado of Madrid, Spain. It is also known by the title The Fable of Arachne. Most scholars regard it as a late work by the artist, dating from 1657-58, but some argue that it was done c. 1644-48. [1]
The Spanish national church in Rome later became the new Santa Maria in Monserrato degli Spagnoli, and the old church was cleared of its artworks. The frescoes in the Herrera chapel were transferred to canvas at the request of the sculptor Antonio Solá , at the expense of Ferdinand VII (d. 1833), and arrived in Spain in 1851.