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A prelude (German: Präludium or Vorspiel; Latin: praeludium; French: prélude; Italian: preludio) is a short piece of music, the form of which may vary from piece to piece. [1] [2] While, during the Baroque era, for example, it may have served as an introduction to succeeding movements of a work that were usually longer and more complex, it may also have been a stand-alone piece of work ...
In music, a chorale prelude or chorale setting is a short liturgical composition for organ using a chorale tune as its basis. It was a predominant style of the German Baroque era and reached its culmination in the works of J.S. Bach , who wrote 46 (with a 47th unfinished ) examples of the form in his Orgelbüchlein , [ 1 ] along with multiple ...
James Kibbie – Bach Organ Works: free downloads of the complete organ works of Johann Sebastian Bach, recorded by James Kibbie on original baroque organs in Germany. Accessed: 09:23, 3 April 2016 (UTC).
The preludes are formally free, although many of them exhibit typical Baroque melodic forms, often coupled to an extended free coda (e.g. Book 1 preludes in C minor, D major, and B ♭ major). The preludes are also notable for their odd or irregular numbers of measures, in terms of both the phrases and the total number of measures in a given ...
As usual in a Baroque musical suite, after the prelude which begins each suite, all the other movements are based around baroque dance types. [1] The cello suites are structured in six movements each: prelude, allemande, courante, sarabande, two minuets or two bourrées or two gavottes, and a final gigue. [2]
Marc-Antoine Charpentier (French: [maʁk ɑ̃twan ʃaʁpɑ̃tje]; 1643 – 24 February 1704 [2]) was a French Baroque composer during the reign of Louis XIV.One of his most famous works is the main theme from the prelude of his Te Deum H.146, Marche en rondeau.
Gounod based the work on Bach's prelude, which is a study in harmony in broken chords. He used the first four measure for a prelude, repeating them for the first entry of the voice. He used Bach's composition, in the version with an inserted measure after the original 22, the so-called Schwencke-measure which was common at the time. To this ...
Arnold Schoenberg arranged for orchestra Bach's organ Prelude and Fugue in E-flat major St Anne, BWV 552. Igor Stravinsky made an arrangement of the Canonic Variations on "Vom Himmel hoch da komm' ich her" in 1956. Igor Stravinsky's last work was a transcription of Four Preludes and Fugues from Das Wohltemperirte Clavier