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Anti-Hindi agitations of Tamil Nadu Date 11 August 1937 – present (87 years, 6 months) Location Present-day Tamil Nadu, India Caused by Various attempts by the Government of India (1947–present) and the Government of Madras (during 1937–65) to promote Hindi language in the State Goals To prevent the imposition of Hindi in the State Methods Non-violent - Conferences, fasts, legislations ...
Hindi, Tamil, Telugu Kaama Tantra (Hindi), Kaama (Tamil) Kama: Ashok Kumar: 2001 English, Hindi, Tamil Little John: Singeetam Srinivasa Rao: 2009/2012 Kannada, Malayalam, Tamil Ajantha: Rajappa Ravishankar Additional Telugu version unreleased 2010 Kannada, Tamil, Telugu Bombat Car (Kannada), Kutti Pisasu (Tamil), Cara Majaka: Rama Narayanan: 2012
Dravidian languages include Tamil, Malayalam, Kannada, Telugu, and a number of other languages spoken mainly in South Asia. The list is by no means exhaustive. Some of the words can be traced to specific languages, but others have disputed or uncertain origins. Words of disputed or less certain origin are in the "Dravidian languages" list.
Tamil-language television-related lists (1 C, 3 P) Pages in category "Tamil language-related lists" The following 11 pages are in this category, out of 11 total.
Hindi Divas – the official day to celebrate Hindi as a language. Languages of India; Languages with official status in India; Indian states by most spoken scheduled languages; List of English words of Hindi or Urdu origin; List of Hindi channels in Europe (by type) List of languages by number of native speakers in India
Pages in category "Tamil-language television series based on Hindi-language television series" The following 25 pages are in this category, out of 25 total. This list may not reflect recent changes .
Mohan Rangachari (16 October 1952 – 10 June 2019) [2] known professionally as Crazy Mohan, was an Indian actor, comedian, screenwriter and playwright. [3] An engineer by profession, Mohan started writing plays and established his own drama troupe called "Crazy Creations" in 1979.
According to critic Baradwaj Rangan, the loosu ponnu trope emerged in an era where Tamil filmmakers began casting North Indian women, who did not know Tamil, in leading roles; due to their lip syncing not being perfect (their lines would be dubbed over by others), wild gesticulation and their emotional reactions seeming unusual, "all of this ended up making them look like mad people".