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Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. Choreography may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing.
Choreographic Coding Lab [12] is a touring laboratory looking to explore connections of the data generated during dance and choreography with coding. Kate Sicchio joins the fields of computer-generated choreography and Live coding , through her projects Hacking Choreography (2012) and Hacking Choreography 2.0 (2014).
In 1926, the Irish-born dancer Ninette de Valois founded the Academy of Choreographic Art, [4] a dance school for girls and the predecessor of today's Royal Ballet School. . Her intention was to form a repertory ballet company and school, leading her to collaborate with theatrical producer and theatre owner Lilian Bay
After leaving the Ballets Russes, in 1927, de Valois established the Academy of Choreographic Art, a dance school for girls in London [4] and the Abbey Theatre School of Ballet, Dublin. [10] In London, her ultimate goal was to form a repertory ballet company, with dancers drawn from the school and trained in a uniquely British style of ballet. [9]
George Balanchine (/ ˈ b æ l ən (t) ʃ iː n, ˌ b æ l ən ˈ (t) ʃ iː n /; [1] born Georgiy Melitonovich Balanchivadze; [a] January 22, 1904 [O.S. January 9] – April 30, 1983) was a Georgian-American [2] ballet choreographer, recognized as one of the most influential choreographers of the 20th-century. [3]
Ninette de Valois, an Irish-born dancer founded the Academy of Choreographic Art, in 1926, a dance school for girls. [2] Her intention was to form a repertory ballet company and school, leading her to collaborate with the English theatrical producer and theatre owner Lilian Baylis.
In it, Hay emphasizes conceptual art narratives underlining the minimal choreographic process of her dance creation. In 1976 Hay moved from Vermont to Austin, Texas, where she began developing a set of choreographic practices she called playing awake. This choreographic method engaged with the movement of untrained performers.
Throughout his career, Cunningham choreographed more than 200 dances and over 800 Events, or site-specific choreographic works. In 1963 he joined with Cage to create the Walker Art Center 's first performance, instigating what would be a 25-year collaborative relationship with the Walker.