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Art and (aesthetic) mythology, according to Dewey, is an attempt to find light in a great darkness. Art appeals directly to sense and the sensuous imagination, and many aesthetic and religious experiences occur as the result of energy and material used to expand and intensify the experience of life.
After conducting personal observations and experiments, Hahnemann published his new account of homoeopathy in book form in 1810. The original title of the book was Organon of Rational Art of Healing. In 1819, the second edition was published, with the revised title Organon of Healing Art. The third edition (1824) and fourth edition (1829) kept ...
In the mystical experience, all 'otherness' disappear and the believer becomes one with the transcendent. The believer discovers that he or she is not distinct from the cosmos, the deity or the other reality, but one with it. Zaehner has identified two distinctively different mystical experiences: natural and religious mystical experiences. [9]
Martin Heidegger: Politics, Art, and Technology. New York: Holmes; Schapiro, Meyer. 1994. “The Still Life as a Personal Object - A Note on Heidegger and van Gogh”, ”Further Notes on Heidegger and van Gogh”, in: Theory and Philosophy of Art: Style, Artist, and Society, Selected papers 4, New York: George Braziller, 135-142; 143-151.
The authenticity of provenance of an objet d’art is the positive identification of the artist and the place and time of the artwork's origin; [7] thus, art experts determine authenticity of provenance with four tests: (i) verification of the artist's signature on the work of art; (ii) a review of the historical documentation attesting to the ...
The Romantic Manifesto: A Philosophy of Literature is a collection of essays regarding the nature of art by the philosopher Ayn Rand. It was first published in 1969, with a second, revised edition published in 1975. Most of the essays are reprinted from Rand's magazine The Objectivist.
The power of Christ compels you... to rewatch The Exorcist movies ahead of the new one (or in honor of the 50th anniversary of the original Exorcist). The Exorcist: Believer is the first film in ...
The will to power (German: der Wille zur Macht) is a concept in the philosophy of Friedrich Nietzsche. The will to power describes what Nietzsche may have believed to be the main driving force in humans. However, the concept was never systematically defined in Nietzsche's work, leaving its interpretation open to debate. [1]