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From Thulhadhoo, kept at the National Museum, Maldives. The island has been reclaimed by the government recently. The island is famous for its lacquer work. It used to supply the noble families in the country with lacquered items, but now most of Thulhaadhoo's lacquer work is sold to tourists as souvenirs. [3]
It was the first generation of Vietnamese students of the Indochina School of Fine Art during the 1930s, who elevated the craft of lacquer painting to a truly fine art. Less interested in decor than their craftsmen predecessors, it was also these men who would begin a series of artistic innovations from which craftsmen producing purely ...
The Maldives holds a rich art and craft heritage such as Mat weaving, rope weaving etc. Top of a malaafaiy (wooden cover for food items) with Arabic writing. Lacquered wood made in Thulhaadhoo Island, 1985.
Lacquer painting is a form of painting with lacquer which was practised in East Asia for decoration on lacquerware, and found its way to Europe and the Western World both via Persia and the Middle East and by direct contact with Continental Asia.
Born on June 9, 1983, [3] Yasuhiro Asai became interested in Urushi (Japanese lacquer) and Maki-e while studying at Kibi Kogen High School. [4] In 2004, he graduated from Takaoka National College, Urushi lacquer Craft Course of the Department of Industrial Design. [5]
Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
The conservation and restoration of lacquerware prevents and mitigates deterioration or damage to objects made with lacquer. The two main types of lacquer are Asian, made with sap from the Urushi tree, and European, made with a variety of shellac and natural resins. Lacquer can be damaged by age, light, water, temperature, or damaged substrate.
Maki-e Maki-e enlargement. Maki-e (蒔絵, literally: sprinkled picture (or design)) is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware.