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Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
In literature an author sets the tone through word choice that create imagery, perspective, tone, subject matter, and more. [14] The possible tones are bounded only by the number of possible emotions a human being can have. Diction and syntax often dictate what the author's (or character's) attitude toward his subject is at the time. An example ...
The odd-numbered tone classes 1 3 5 7 are termed dark (陰 yīn), whereas the even-numbered tone classes 2 4 6 8 are termed light (陽 yáng). Hence, for example, LMC/modern tone class 5 is known in Chinese as the yīn qù (dark departing) tone, indicating that it is the yīn variant of the EMC qù tone (EMC tone 3).
A theme may be exemplified by the actions, utterances, or thoughts of a character in a novel. An example of this would be the thematic idea of loneliness in John Steinbeck's Of Mice and Men, wherein many of the characters seem to be lonely. It may differ from the thesis—the text's or author's implied worldview. [4] [example needed]
[1]: 222 The third tone without the rise is sometimes called half third tone. The overall pitch contour of the third tone is traditionally described as ˨˩˦ 214, but for modern Standard Chinese speakers, the rise, if present, is not that high. The third tone starts lower or around the starting point for the second tone.
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
Declarative sentences show a 2–3–1 pitch pattern. If the last syllable is prominent the final decline in pitch is a glide. For example, in This is fun, this is is at pitch 2, and fun starts at level 3 and glides down to level 1. But if the last prominent syllable is not the last syllable of the utterance, the pitch fall-off is a step.
If the sentence is pronounced in the second way, because the word Anna is the topic of the sentence and does not give new information, it will have a slight rise in pitch on the second syllable (see the illustration). In this case it is transcribed by Pierrehumbert as H* L − H%. [6] A boundary tone can also begin a sentence or intonational ...