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Composition with Red, Blue and Yellow is a 1930 painting [1] by Piet Mondrian, a Dutch artist who was a leading figure in the Neo-Plasticism movement. It consists of thick, black brushwork, defining the borders of colored rectangles. As the title suggests, the only colors used in it besides black and white are red, blue, and yellow.
Red and yellow paints being mixed on a palette. For example, mixing red and yellow can result in a shade of orange, generally with a lower chroma or reduced saturation than at least one of the component colors. In some combinations, a mix of blue and yellow paint produces green.
The combination of two of the common three additive primary colors in equal proportions produces an additive secondary color—cyan, magenta or yellow. Additive color is also used to predict colors from overlapping projected colored lights often used in theatrical lighting for plays, concerts, circus shows, and night clubs.
He wrote that "Yellow is a light which has been dampened by darkness; blue is a darkness weakened by light." [10] Out of the opposition of blue and yellow, through a process called "steigerung", or "augmentation" a third color, red, was born. [page needed] Goethe also proposed several sets of complementary colors which "demanded" each other.
Likewise, a blue that is ultramarine at high concentrations appears cyan at low concentrations, allowing it to be used to mix green. Chromium red pigments can appear orange, and then yellow, as the concentration is reduced. It is even possible to mix very low concentrations of the blue mentioned and the chromium red to get a greenish color.
Even though I design mostly for the Web—a medium that's displayed in RGB—I still use red, yellow, and blue as the basis for my color selection. I believe that color combinations created using the red, yellow, and blue color wheel are more aesthetically pleasing, and that good design is about aesthetics.
RYB (an abbreviation of red–yellow–blue) is a subtractive color model used in art and applied design in which red, yellow, and blue pigments are considered primary colors. [1] Under traditional color theory , this set of primary colors was advocated by Moses Harris , Michel Eugène Chevreul , Johannes Itten and Josef Albers , and applied by ...
The traditional RYB (red–yellow–blue) color wheel, often used for selecting harmonious colors in art The RGB (red–green–blue) color wheel, matching most technological processes, but exhibiting different complementary colors The Munsell color wheel attempts to divide hues into equal perceptual differences.