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Robert Rauschenberg: "A canvas is never empty". [20] In the early 1950s, became known for white, then black, and eventually red monochrome canvases. In the White Paintings [21] (1951) series, Rauschenberg applied everyday house paint with paint rollers to achieve smooth "blank" surfaces. White panels were exhibited alone or in modular groupings.
Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
During this period, black painters were routinely ignored by the New York art establishment. [6] “I couldn’t get into a commercial gallery where a white person was running it," Clark recalled in the oral history. "A lot of the spaces I was showing in … I rented out the spaces!" [2]
Also from 1962 Artschwager painted grey acrylic monochrome pictures, basing his images on black-and-white photographs, characteristically of modern buildings as shown in property advertisements, as in Apartment House (1964). [8] At the end of 1963, Artschwager was very productive.
[11] His use of black and white is very similar to paintings made by de Kooning and Pollock during the 1940s. [10] There also seem to be references to Japanese calligraphy in Kline's black and white paintings, through his exchange with the Japanese avant-garde calligraphy group Bokujinkai and its leader Morita Shiryu , although Kline later ...
This article is part of BI's 2024 Art Basel series, taking you inside the art fair's global scene. On the second level of the expansive Miami Beach Convention Center, I sat on a chair and rummaged ...