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Stylistically, the music of the ars nova differed from the preceding era in several ways. Developments in notation allowed notes to be written with greater rhythmic independence, shunning the limitations of the rhythmic modes which prevailed in the thirteenth century; secular music acquired much of the polyphonic sophistication previously found only in sacred music; and new techniques and ...
Composers of ars nova refers to a musical style which flourished in France and the Burgundian Low Countries in the late Middle Ages: more particularly, in the period between the preparation of the Roman de Fauvel (1310s) and the death of composer Guillaume de Machaut in 1377.
Machaut, "Doulz viaire gracieus", a typical Rondeau setting of the 14th-century Ars nova. MIDI rendering ⓘ Like the other formes fixes, the Rondeau (in its original form with full refrains) was frequently set to music. The earliest surviving polyphonic rondeaux are by the trouvère Adam de la Halle in the late 13th century.
Guillaume de Machaut (French: [ɡi'jom də ma'ʃo], Old French: [ɡiˈʎawmə də maˈtʃaw(θ)]; also Machau and Machault; c. 1300 – April 1377) was a French composer and poet who was the central figure of the ars nova style in late medieval music.
Ars nova refers to a musical style which flourished in France and the Burgundian Low Countries in the late Middle Ages: more particularly, in the period between the preparation of the Roman de Fauvel (1310s) and the death of composer Guillaume de Machaut in 1377.
Philippe de Vitry (31 October 1291 – 9 June 1361) was a French composer-poet, bishop and music theorist in the ars nova style of late medieval music.An accomplished, innovative, and influential composer, he was widely acknowledged as a leading musician of his day; the early Renaissance scholar Petrarch wrote a glowing tribute, calling him: "... the keenest and most ardent seeker of truth, so ...
In mensural notation, prolation (also called prolatio) [1] describes the rhythmic structure of medieval and Renaissance music on a small scale. The term is derived from the Medieval Latin word prolatio (meaning "bearing" or "manner"), [2] first used by the medieval French composer Philippe de Vitry in describing Ars Nova, a musical style that arose in 14th-century France.
The Ars Notoria contains the only known surviving fragment of a book called the Golden Flowers (Latin: Flores Aurei), falsely attributed to Apollonius of Tyana. It is based on this text and consists of its first derivative Latin text, the New Art (Latin: Ars Nova), and other material supplemented by an unknown scribe (or scribes) of the Golden ...