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Discoveries made since the end of the 19th century surrounding the (now submerged) ancient Egyptian city of Heracleion at Alexandria include a 4th century BC, unusually sensual, detailed and feministic (as opposed to deified) depiction of Isis, marking a combination of Egyptian and Hellenistic forms beginning around the time of Egypt's conquest ...
Nefertiti bust, from the 18th dynasty, New kingdom Egyptian death mask from the 18th dynasty. Louvre, Paris portrait of Meritamun, 19th dynasty of Egypt. Portraiture in ancient Egypt forms a conceptual attempt to portray "the subject from its own perspective rather than the viewpoint of the artist ... to communicate essential information about the object itself". [1]
Combining Egyptian and Greek pictorial forms or motifs was not restricted to funerary art, however: the public and highly visible portraits of Ptolemaic dynasts and Roman emperors grafted iconography developed for a ruler's Greek or Roman images onto Egyptian statues in the dress and posture of Egyptian kings and queens.
An ancient Egyptian apotropaic wand shows a procession of protective deities. It was used in birth rituals, perhaps to draw a magic circle around the mother and child. Items and symbols such as crosses, crucifixes, silver bullets, wild roses and garlic were believed to ward off or destroy vampires.
After Akhenaton's death, however, Egyptian artists reverted to their old styles. Faience that was produced in ancient Egyptian antiquity as early as 3500 BC was in fact superior to the tin-glazed earthenware of the European 15th century. [10] Ancient Egyptian faience was not made of clay but instead actually of a ceramic composed primarily of ...
The Cairo Tower, a 187-meter tall observation tower with a lotus-motif design, was built between 1955 and 1961 [99] and designed by Egyptian architect Naoum Shebib. [100] It was the tallest all-concrete structure in the world upon completion [99] and it is the most recognizable symbol of post-1952 Egyptian architecture. [100]
The hands at the end of each ray extending from Aten in the relief are delivering the ankh, which symbolized "life" in the Egyptian culture, to Akhenaten and Nefertiti, and often also reach the portrayed princesses. The importance of the Sun God Aten is central to much of the Amarna period art, largely because Akhenaten's rule was marked by the ...
In ancient Egyptian religion, the pylon mirrored the hieroglyph akhet 'horizon', which was a depiction of two hills "between which the sun rose and set". [2] Consequently, it played a critical role in the symbolic architecture of a building associated with the place of re-creation and rebirth. The Luxor Temple