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In French, a variety of display cases, such as a store sales table or the Perspex glass protecting a piece of ceramics in a museum display, can be referred to as a vitrine. Additionally, a large event which is designed to exhibit or showcase merchandise, a topic or theme, can also be referred to as a vitrine, such as a "vitrine d'excellence".
The most expensive chairs were inlaid with bronze, copper, silver, and gold. In Akkad, the finest furniture would be inlaid or overlaid with panels and ornaments of metals, gemstones, ivory, faience. Chairs would also have brightly colored wooden and ivory finials depicting arms and bull's heads. [7]
The Egyptian Gallery, a private room in the Duchess Street home of connoisseur Thomas Hope to display his Egyptian antiquities, and illustrated in engravings from his meticulous line drawings in his book, Household Furniture and Interior Decoration (1807), were a prime source for the Regency style in British furnishings. The book inspired a ...
The meaning of "cabinet" began to be extended to the contents of the cabinet; [9] thus we see the 16th-century cabinet of curiosities, often combined with a library. The sense of cabinet as a piece of furniture is actually older in English than the meaning as a room, but originally meant more a strong-box or jewel-chest than a display-case. [10]
A Sheraton style chair with rectangular back. Sheraton is a late 18th-century Neoclassical English furniture style, in vogue c. 1785–1820, that was coined by 19th-century collectors and dealers to credit furniture designer Thomas Sheraton, whose books, The Cabinet Dictionary (1803) of engraved designs and the Cabinet Maker's & Upholsterer's Drawing Book (1791) of furniture patterns exemplify ...
Ornamentation is minimal, in contrast to earlier 17th-century and William and Mary styles, which prominently featured inlay, figured veneers, paint, and carving. The cabriole leg is the "most recognizable element" of Queen Anne furniture.
Boulle's inlay materials included tortoiseshell, brass, pewter and even animal horn. For contrasting woods, he often used rosewood, ebony, kingwood, and other dense, dark-toned tropical species. Boulle's marquetry technique was to make two contrasting sheets of intricate inlay that were cut from a single sandwich of materials.
Two other spin-off programmes, Antiques Roadshow Gems (1991) and Priceless Antiques Roadshow (2009–10), revisited items from the show's history and provided background information on the making of the show and interviews with the programme's experts. The most valuable item to ever appear on the show featured on 16 November 2008.