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Supernatural entities and powers are common in various works of fantasy. Examples include the television shows Supernatural and The X-Files, the magic of the Harry Potter series, The Lord of the Rings series, The Wheel of Time series and A Song of Ice and Fire series.
Heyoka – (Lakota) People chosen by the Thunder Beings to be Medicine Men. Possessing supernatural abilities. A Heyoka must have a vision of a Thunder Being or be struck by lightning. May have visions of the future or other abilities. Appear to others as backwards. Acts in backwards behaviors. They are mysterious and move between worlds ...
The easier it is for the protagonist to triumph, the less value there is in the drama. In internal and external conflict alike, the antagonist must act upon the protagonist and must seem at first to overmatch them. For example, in William Faulkner's The Bear, nature might be the antagonist. Even though it is an abstraction, natural creatures ...
These supernatural beings, whose worship is the essential object of voodoo, are called lwa, 'mysteries' and, in northern Haiti, 'saints' or 'angels'. Alongside them are the Twins, who wield great power, and the 'dead', who demand sacrifices and offerings and exert a direct influence on the fate of the living.
Psychometry or psychoscopy – The ability to obtain information about a person or an object by touch. [12] Remote viewing, telesthesia or remote sensing – The ability to see a distant or unseen target using extrasensory perception. [13] Retrocognition or postcognition – The ability to supernaturally perceive past events. [14]
Vision of Thomas Aquinas in the Vatican Museum. Evelyn Underhill distinguishes and categorizes three types of visions: [3]. Intellectual Visions – The Catholic dictionary defines these as supernatural knowledge in which the mind receives an extraordinary grasp of some revealed truth without the aid of sensible impressions, and mystics describe them as intuitions that leave a deep impression.
Dark fantasy is sometimes also used to describe stories told from a monster's point of view, or that present a more sympathetic view of supernatural beings usually associated with horror. Anne Rice's The Vampire Chronicles, Chelsea Quinn Yarbro's Saint-Germain, [6] and Neil Gaiman's The Sandman are early examples of this style of dark fantasy ...
A classic example of this would be The Turn of the Screw (1898) by Henry James, which offers both a supernatural and a psychological interpretation of the events described. In this example, ambiguity adds to the effects of both the supernatural and the psychological. [6] A similar example is Charlotte Perkins Gilman's story "The Yellow Wallpaper".