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Dostoevsky saw Russia's growing suicide rate as a symptom of the decline of religious faith and the concomitant disintegration of social institutions like the family. [67] Self-destruction as a result of atheism or loss of faith is a major theme in Demons and further recalls the metaphor of the demon-possessed swine in the epigraph. [68]
Portrait of Fyodor Dostoyevsky in 1872 painted by Vasily Perov. The themes in the writings of Russian writer Fyodor Dostoevsky (frequently transliterated as "Dostoyevsky"), which consist of novels, novellas, short stories, essays, epistolary novels, poetry, [1] spy fiction [2] and suspense, [3] include suicide, poverty, human manipulation, and morality.
Notes from Underground (pre-reform Russian: Записки изъ подполья; post-reform Russian: Записки из подполья, Zapíski iz podpólʹya; also translated as Notes from the Underground or Letters from the Underworld) [a] is a novella by Fyodor Dostoevsky first published in the journal Epoch in 1864.
Humiliated and Insulted (Russian: Униженные и оскорблённые, Unizhennye i oskorblyonnye) — also known in English as The Insulted and Humiliated, The Insulted and the Injured or Injury and Insult — is a novel by Fyodor Dostoevsky, first published in 1861 in the monthly magazine Vremya.
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Magarshack was born in Riga, in present-day Latvia, at the time part of the Russian Empire.In 1920, he moved to the United Kingdom in order to study.. After graduating from University College London with a degree in English Language and Literature in 1924, Magarshack attempted to make a career out of journalism, and then out of writing crime fiction, neither of which were successful.
The Demons may refer to: Demons (Dostoevsky novel), an 1872 novel by Russian Fyodor Dostoevsky, also translated The Demons; The Demons (Doderer novel), a 1956 novel by Heimito von Doderer; The Demons, a French-Portuguese horror film directed by Jesús Franco; The Demons, a Canadian drama film directed by Philippe Lesage
La Chinoise, ou plutôt à la Chinoise: un film en train de se faire [1] (lit. ' The Chinese, or, Rather, in the Chinese Manner: A Film in the Making '), commonly referred to simply as La Chinoise, is a 1967 French political docufiction film written and directed by Jean-Luc Godard about a group of young Maoist activists in Paris.