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Katherine Kennicott Davis, the composer of the Christmas carol "The Little Drummer Boy", set verses 1–3 (How Lovely Are Thy Dwellings) for voice and piano or organ in 1952. [39] Several songs and hymns are based on Psalm 84 or contain part of it, for example the Dutch "Wat hou ik van uw huis" from Psalmen voor Nu.
"Song for Athene", which has a performance time of about seven minutes, is an elegy consisting of the Hebrew word alleluia ("let us praise the Lord") sung monophonically six times as an introduction to texts excerpted and modified from the funeral service of the Eastern Orthodox Church and from Shakespeare's Hamlet (probably 1599–1601). [4]
Johann Hermann Schein was Thomaskantor in Leipzig from 1616 to 1630. [1]: 15 He composed the motet possibly for the funeral of Maria Magdelena von Claußbruch in 1628; [2]: 40 she was buried on 2 April that year and the sermon was given to the psalm text, [2]: 321 verses 2–4 of Psalm 84 in Martin Luther's translation of the Bible into German. [3]
Gateway Worship performed the song on their album Living for You and added a chorus to the song, calling it "Come Thou Fount, Come Thou King". The hymn appears on Phil Wickham's album 'Sing-A-Long'. This song is also sung by Clark Davis in the film Love Comes Softly and is a recurring background music in the film.
[4] "The Ash Grove" was also used by Michael Forster in his setting of the Gloria for use in the Roman Catholic mass. It was published as "Sing glory to God" in Liturgical Hymns Old and New 1999 by Kevin Mayhew Ltd. Roger Quilter's setting of the song was included in the Arnold Book of Old Songs, published in 1950, with new lyrics by Rodney ...
Details of performance vary depending on the designated style of the service, or by the hymns themselves. Some hymns specify unison singing, and other hymns are sung in parts (usually soprano, alto, tenor, bass). It is common practice for a congregation to sing all the hymns in unison, but in some traditions part singing is encouraged.
The hymn's lyrics refer to the heavenly host: "Thee we would be always blessing / serve thee with thy hosts above".. At its first appearance, the hymn was in four stanzas of eight lines (8.7.8.7.D), and this four-stanza version remains in common and current use to the present day, being taken up as early as 1760 in Anglican collections such as those by Madan (1760 and 1767), Conyers (1772 ...
Originally Mendelssohn planned to use "cellos and basses", [2] but in the final version scored the work for four-part choir SATB and an orchestra of two flutes, two clarinets, two bassoons, two violins, viola, two cellos and double bass. It is in E-flat major and marked Andante. [4] The melody appears three times, rendering the complete text ...