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Bach's autograph of the traversière part of the second orchestral suite (BWV 1067) The four orchestral suites BWV 1066–1069 (called ouvertures by their composer) are four suites by Johann Sebastian Bach from the years 1724–1731.
In 1871, violinist August Wilhelmj arranged the second movement of Bach's third Orchestral Suite for violin and an accompaniment of strings, piano or organ (harmonium). [1] On the score he wrote auf der G-Saite (on the G string) above the staff for the solo violin, which gave the arrangement its nickname.
Gavotte from J.S. Bach's French Suite No. 5. A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a prelude.
Orchestral Suite No. 1: C maj. 2Ob Bas Str Bc 31 1: 3 VII/1: 3 Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied 01252: 1067 11. 1738–1739 Orchestral Suite No. 2: B min. Fl Str Bc 31 1: 24 VII/1: 27 Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie 01253: 1068 11. c.1730 Orchestral Suite No. 3: D maj. 3Tr Tmp ...
Johann Sebastian Bach composed suites, partitas and overtures in the baroque dance suite format for solo instruments such as harpsichord, lute, violin, cello and flute, and for orchestra. Harpsichord [ edit ]
Leopold Stokowski made a large number of transcriptions for full orchestra, including the Toccata and Fugue in D minor for organ, which appeared in the film Fantasia and the Little Fugue in G minor. Alexander Siloti made many piano transcriptions of Bach, most famously his Prelude in B minor based on Bach's Prelude in E minor, BWV 855a.