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Bach wrote out the first violin and continuo parts, C. P. E. Bach wrote out the trumpet, oboe, and timpani parts, and J. S. Bach's student Johann Ludwig Krebs wrote out the second violin and viola parts. [1] Rifkin has argued that the original was a version for strings and continuo alone. [13] Ouverture (In D major.
Bach's third Orchestral Suite in D major, composed in the first half of the 18th century, has an "Air" as second movement, following its French overture opening movement. The suite is composed for three trumpets , timpani , two oboes , strings (two violin parts and a viola part), and basso continuo .
Orchestral Suite No. 1: C maj. 2Ob Bas Str Bc 31 1: 3 VII/1: 3 Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied 01252: 1067 11. 1738–1739 Orchestral Suite No. 2: B min. Fl Str Bc 31 1: 24 VII/1: 27 Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie 01253: 1068 11. c.1730 Orchestral Suite No. 3: D maj. 3Tr Tmp ...
Johann Sebastian Bach composed suites, partitas and overtures in the baroque dance suite format for solo instruments such as harpsichord, lute, violin, cello and flute, and for orchestra. Harpsichord [ edit ]
The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 14, p. 44, over eighty years before it was given the number 857 in the Bach-Werke-Verzeichnis. In the 2nd half of the 19th century the Bach-Gesellschaft (BG) published all Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA). [3]
BWV 806 – English Suite No. 1 in A major; BWV 807 – English Suite No. 2 in A minor; BWV 808 – English Suite No. 3 in G minor; BWV 809 – English Suite No. 4 in F major; BWV 810 – English Suite No. 5 in E minor; BWV 811 – English Suite No. 6 in D minor
Leopold Stokowski made a large number of transcriptions for full orchestra, including the Toccata and Fugue in D minor for organ, which appeared in the film Fantasia and the Little Fugue in G minor. Alexander Siloti made many piano transcriptions of Bach, most famously his Prelude in B minor based on Bach's Prelude in E minor, BWV 855a.
Schumann's publisher accepted his arrangements of the Bach violin sonatas in 1854, but rejected his Bach cello-suite arrangements. [18] His only cello-suite arrangement surviving is the one for Suite No. 3, discovered in 1981 by musicologist Joachim Draheim in an 1863 transcription by cellist Julius Goltermann.