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Michael Tippett based his guitar sonata, The Blue Guitar (1984), on selected stanzas: 19, 30, and 31, from the poem, [6] and John Banville's 2015 novel The Blue Guitar draws its title and epigraph from the poem. Dean Koontz uses lines from the poem as a password in his 2017 book The Silent Corner.
The Man with the Blue Guitar (1937) Parts of a World (1942) Transport to Summer (1947) The Auroras of Autumn (1950) The Collected Poems of Wallace Stevens, New York: Vintage Books, 1954. Posthumous collections. Opus Posthumous (1957) The Palm at the End of the Mind (1972) Collected Poetry and Prose (New York: The Library of America, 1997)
The Blue Guitar is a 1977 suite of twenty etchings with aquatint by David Hockney. ... The Man with the Blue Guitar, a 1937 poem by Wallace Stevens; See also
The Blue Guitar is a suite of twenty etchings with aquatint by David Hockney, drawn in 1976–77 and published in 1977 in London and New York by Petersburg Press. The frontispiece to the portfolio mentions Hockney's dual inspirations: "The Blue Guitar Etchings by David Hockney who was inspired by Wallace Stevens who was inspired by
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The Man with the Blue Post-Modern Fragmented Neo-Traditionalist Guitar (often called simply Blue Guitar) is an album by American singer-songwriter Peter Case, released in 1989. [1] [2] Its title is a reference to the Wallace Stevens poem "The Man With the Blue Guitar." [3] Guests include Los Lobos, T-Bone Burnett, Ry Cooder, Jim Keltner and ...
Vince Gotera (/ ɡ oʊ ˈ t ɛr ə /; born June 20, 1952) is an American poet and writer, best known as Editor of the North American Review.In 1996, Nick Carbó called him a "leading Filipino-American poet of this generation"; [1] later, in 2004, Carbó described him as "one of the leading Asian American poets ... willing to take a stance against American imperialism."
The poem's longevity reinforces the naturalistic austerity of its depiction of death. One interpretive viewpoint asks whether Stevens is writing about any death, or rather, as Longenbach asserts, the death of the soldier—"and not an ambiguously 'fictive' soldier but Eugène Lemercier [the young French painter killed in 1915 whose letters were collected as Lettres d'un soldat and read by ...