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Indigenous American visual arts include portable arts, such as painting, basketry, textiles, or photography, as well as monumental works, such as architecture, land art, public sculpture, or murals. Some Indigenous art forms coincide with Western art forms; however, some, such as porcupine quillwork or birchbark biting are unique to the Americas.
Within traditional Coast Salish art there are two major forms; the flat design and carving, and basketry and weaving. In historical times these were delineated among male and female roles in the community with men made "figurative pieces, such as sculptures and paintings that depicts crest, shamanic beings, and spirits, whereas women produced ...
Birchbark biting (Ojibwe: Mazinibaganjigan, plural: mazinibaganjiganan) is an Indigenous artform made by Anishinaabeg, including Ojibwe people, [1] Potawatomi, and Odawa, as well as Cree [2] and other Algonquian peoples of the Subarctic and Great Lakes regions of Canada and the United States.
This list includes notable visual artists who are Inuit, Alaskan Natives, Siberian Yup'ik, American Indians, First Nations, Métis, Mestizos, and Indigenous peoples of Mexico, the Caribbean, Central America, and South America. Indigenous identity is a complex and contested issue and differs from country to country in the Americas.
Yéil X̱ʼéen (Raven Screen) (detail). Attributed to Ḵaajisdu.áx̱ch, Tlingit, Kiks.ádi clan, active late 18th – early 19th century. Formline art is a feature in the Indigenous art of the Northwest Coast of North America, distinguished by the use of characteristic shapes referred to as ovoids, U forms and S forms.
The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
She exhibited photographs from Indigenous Woman including images from her Body En Thrall and Demons series. [17] In 2019, Gutierrez's work was presented in the solo exhibitions Martine Gutierrez Body en Thrall at the Australian Centre for Photography, Darlinghurst and Life / Like: Photographs, Mount Holyoke College Art Museum, South Hadley.