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The major key of the song is G, but it appears to resolve on the Em (vi) chord. [5] As Allan Moore puts it, "Mann would argue that it is not the same thing as a 'V-vi' Interrupted or Deceptive cadence because—at that precise point in the song—the role of the E minor as a 'vi' is being questioned and is veering towards tonic status." [6]
The song is in the key of G major and in 4/4 time. [2] There is an introduction using piano and electric piano, with Paul McCartney and George Martin playing two different piano parts on separate ends of the same Steinway grand piano. The Steinway appears only in the song's intro and was overdubbed separately, as were McCartney's bass and ...
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List of songs recorded by the Beatles; The Beatles albums discography; The Beatles videography; Outline of the Beatles; The Beatles timeline; Apple Records discography, the albums and singles of the Beatles' record label, many of which had involvement by members of the Beatles; The Beatles bootleg recordings; The Beatles' recording sessions
2. "Come and Get It" by Badfinger. 1969 Written and produced by Paul McCartney, this song became a top 10 hit for Badfinger, a band signed to the Beatles’ Apple label.
The song is in the key of G major [23] and the time signature throughout is 4 4 . The melody is restricted within a G pedal point , with a simple melodic emphasis on scale notes 2 (A) and 7 (F ♯ ). [ 24 ]
Also used by Andrew Peterson on his song "Faith to be Strong" and by Macseal on multiple songs.) Dobro Open G: G-B-D-G-B-D (occasionally adopted for ordinary guitar, but requires lighter fifth and sixth strings). Russian-guitar Open G: The tuning of the Russian guitar; D-G-B-D-G-B-D is an open G tuning, approximately in major thirds. [12] [13]
[12] In jazz, 7 ♯ 9 chords, along with 7 ♭ 9 chords, are often employed as the dominant chord in a minor ii–V–I turnaround. For example, a ii–V–I in C minor could be played as: Dm 7 ♭ 5 – G 7 ♯ 9 – Cm 7. The 7 ♯ 9 represents a major divergence from the world of tertian chord theory, where chords are stacks of major and ...