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"Substitute" is a song by the English rock band the Who, written by Pete Townshend. Released in March 1966, the single reached number five in the UK and was later included on the compilation album Meaty Beaty Big and Bouncy in 1971. [4] In 2006, Pitchfork ranked "Substitute" at number 91 on the "200 Greatest Songs of the 1960s". [5]
"5:15" (sometimes written "5.15" or "5'15") is a song written by Pete Townshend of British rock band The Who. Part of the band's second rock opera, Quadrophenia (1973), the song was also released as a single and reached No. 20 on the UK Singles Chart, [3] while the 1979 re-release (accompanying the film and soundtrack album) reached No. 45 on the Billboard Hot 100.
"Magic Bus" is a song recorded by British rock band the Who. It was written by their guitarist Pete Townshend during the time that their debut album My Generation was being recorded in 1965. However, it was not recorded until 1968, when it was released as a single on 27 July 1968 in the United States and Canada, followed by its release in the ...
The Ultimate Collection is a 2002 two-disc greatest hits set by the Who with both singles and top hits from albums, all of which have been remastered. [1] The compilation was released by Polydor Records internationally and on MCA Records in the U.S.
The song features an acoustic opening followed by the rest of the band (excluding singer Roger Daltrey) joining in. "I'm One" was one of the ten original Quadrophenia tracks to appear in remixed form on the soundtrack to the Who's 1979 film Quadrophenia , which was based on the original rock opera.
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The music video of the song featured Rafaqat Ali Khan and Shiraz Uppal. It was released on 23 September 2016. It was the 3rd Pakistani origin Coke Studio video to reach 100 million views after Tajdar-e-Haram(1st video), [5] Afreen Afreen(2nd video) [6] and Tera Woh Pyar(4th video). The music video has received over 250 million views on YouTube. [3]
The Who FAQ author Mike Segretto considers it one of Entwistle's "catchier songs," attributing its lack of chart success to its being "too heavy" and "too mean" for the 1977 singles chart. [5] Segretto considers the song to be underrated, finding humor in the situation but stating that "genuine vulnerability makes the song more than a good ...