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Mountains and Sea is a 1952 painting by American abstract expressionist painter Helen Frankenthaler. [2] [3] Painted when Frankenthaler was 23 years old, it was her first professionally exhibited work. [4] Though initially panned by critics, Mountains and Sea later became her most influential and best known canvas. [5] [6]
California Plein-Air Painting, American Impressionism Robert William Wood (March 4, 1889 – March 14, 1979) was an American landscape painter. [ 1 ] He was born in England, emigrated to the United States and rose to prominence in the 1950s with the sales of millions of his color reproductions. [ 2 ]
Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [1]
[1] [2] Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings. Influenced by European painters, but with a strong American sensibility, [3] he was prolific throughout his career and worked primarily with oil on canvas. His paintings are typically allegoric and ...
A seascape photograph at Clifton Beach, South Arm, Tasmania, Australia. In the UK a seascape is defined in planning and land use contexts as a combination of adjacent land, coastline and sea within an area, defined by a mix of land-sea inter-visibility and coastal landscape character assessment, with major headlands forming division points between one seascape area and the next.
The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise entitled Reflections and Advice to a Student on Painting, Particularly on Landscape (1800), [2] where he developed the concept of landscape portraiture by which the artist paints directly onto canvas in situ within the ...
Rough Waves (Japanese: 波濤 図 屏風) is a painting by the Japanese artist Ogata Kōrin, on a two-panel byōbu (folding screen). The work was created c. 1704 – c. 1709, and depicts a swirl of stormy sea waves.
The painting inspired Paul Nash's 1941 work Totes Meer (Dead Sea). [2] [17] It also proved influential upon the arctic landscapes of Lawren Harris. [18] Architect Thom Mayne references The Sea of Ice as a primary influence on his approach to the dynamic relationship between architecture, landscape, and nature. [19]