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The Turkish March (Marcia alla turca) is a classical march theme by Ludwig van Beethoven.It was written for the 1809 Six Variations, Op. 76, and in the Turkish style.Later, in 1811, Beethoven included the Turkish March in a play by August von Kotzebue called The Ruins of Athens (Op. 113), premiering in Budapest, Hungary, in 1812.
The Ruins of Athens (Die Ruinen von Athen), Op. 113, is a set of incidental music pieces written in 1811 by Ludwig van Beethoven.The music was written to accompany the play of the same name by August von Kotzebue, for the dedication of the new Deutsches Theater Pest [] in Pest, Hungary.
Turkish March may refer to the following specific pieces of classical music: Turkish Rondo, or Rondo alla turca, the third movement from Wolfgang Amadeus Mozart's Piano Sonata No. 11, K. 331 (1783) Turkish March (Beethoven), from Ludwig van Beethoven's Six Variations, Op. 76 (1809), which he re-used as the fourth movement in the 1811 incidental ...
The opposing British and French armies march to battle with Turkish music versions of their respective battle songs, "Rule Britannia" and "Malbrouk s'en va-t-en guerre". Beethoven returned again to Turkish music, by this time rather out of vogue, in a passage of the final movement of his Ninth Symphony (1824).
Despite being credited to Beethoven, the march is now widely believed to have been composed by German conductor and musician Johann Heinrich Walch, who lived between 1776 and 1855. – Beethoven ...
Mozart himself titled the rondo "Alla turca". [5] It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time. [6]Section A: This section, in A minor, consists of a rising sixteenth-note melody followed by a falling eighth note melody over a staccato eighth-note accompaniment.