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The primary characteristics of early English glass are deep rich colours, particularly deep blues and ruby reds, often with a streaky and uneven colour, which adds to their appeal; their mosaic quality, being composed of an assembly of small pieces; the importance of the iron work, which becomes part of the design; and the simple and bold style of the painting of faces and details.
Latticework may be functional – for example, to allow airflow to or through an area; structural, as a truss in a lattice girder; [2] used to add privacy, as through a lattice screen; purely decorative; or some combination of these. Latticework in stone or wood from the classical period is also called Roman lattice or transenna (plural transenne).
They are usually cantilevered to add more square footage to the upper floors, as well as providing shade to the first-floor windows. The lattice work ranges from simple geometric shapes through to ornate patterns. Architecturally, they are designed to satisfy one or more of the following functions: [18] control air flow
Among the many window designs, the following are the most common: Sanjhyā (Devanagari: सँझ्या:) is a projecting bay window and the classic Newar window. A typical Sanjhyā consists of three units and is located in the center of a facade. The shutter consists of a lattice and opens upwards. It is usually located on the third floor ...
It was designed by Lal Chand Ustad. Its five-floor exterior is akin to a honeycomb with its 953 small windows called Jharokhas decorated with intricate latticework. [4] The original intent of the lattice design was to allow royal ladies to observe everyday life and festivals celebrated in the street below without being seen.
The term 'leadlight' could be used to describe any window in which the glass is supported by lead, but traditionally, a distinction is made between stained glass windows and leadlights; the former is associated with the ornate coloured-glass windows of churches and similar buildings, while the latter is associated with the windows of vernacular ...