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Keats's Ode to a Nightingale and Shelley's Ode to a Skylark are two of the glories of English literature; but both were written by men who had no claim to special or exact knowledge of ornithology as such." [46] Sidney Colvin, in 1920, argued, "Throughout this ode Keats's genius is at its height. Imagination cannot be more rich and satisfying ...
20th-century literary critics often categorise eight of Coleridge's poems (The Eolian Harp, Reflections on having left a Place of Retirement, This Lime-Tree Bower my Prison, Frost at Midnight, Fears in Solitude, The Nightingale: A Conversation Poem, Dejection: An Ode, To William Wordsworth) as a group, usually as his "conversation poems".
The 'Ode to a Nightingale,' for example, is a less 'perfect' though a greater poem." [ 30 ] Charles Patterson argued the relationship of "Ode on a Grecian Urn" as the greatest 1819 ode of Keats: "The meaningfulness and range of the poem, along with its controlled execution and powerfully suggestive imagery, entitle it to a high place among ...
The Nightingale: A Conversation Poem is a poem written by Samuel Taylor Coleridge in April 1798. Originally included in the first edition of Lyrical Ballads , which he published with William Wordsworth , the poem disputes the traditional idea that nightingales are connected to the idea of melancholy.
"Negative capability" is the capacity of artists to pursue ideals of beauty, perfection and sublimity even when it leads them into intellectual confusion and uncertainty, as opposed to a preference for philosophical certainty over artistic beauty. The term, first used by John Keats in 1817, has been subsequently used by poets, philosophers and literary theorists to describe the ability to ...
John Keats, "Ode to a Nightingale" "The Alien Corn" (short story) W. Somerset Maugham: John Keats, "Ode to a Nightingale" All the King's Men: Robert Penn Warren: Anon., "Humpty Dumpty" All Passion Spent: Vita Sackville-West: John Milton, Samson Agonistes: Alone on a Wide, Wide Sea: Michael Morpurgo: Samuel Taylor Coleridge, The Rime of the ...
In poetry, a stanza (/ ˈ s t æ n z ə /; from Italian stanza, Italian:; lit. ' room ') is a group of lines within a poem, usually set off from others by a blank line or indentation. [1]
In the original first stanza, the "Gothicizing" of the ideal of melancholy strikes Bloom as more ironical and humorous, but with the removal of that text, the image of the "droop-headed flowers" loses the irony it would otherwise contain, and in doing so subverts the negative capability seen in "Ode to a Nightingale", yet Bloom states that the ...