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The colored glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
The original gardens were laid out by Arts and Crafts garden designer Thomas Mawson in a series of terraces to achieve views from the house over the lake towards the Coniston fells. Blackwell is bordered by flower beds set against a terrace of York stone paving, providing shelter for garden chairs and tables, surrounded by flowers and herbs.
His free hanging glass panels have been widely exhibited and collected. [2] He is the author of Stained Glass Primer , an authoritative how-to guide to stained glass technique, used widely by hobbyists and professionals since first published in 1971. [ 3 ]
This church has a remarkable collection of glass by Arts and Crafts artists including three stained glass windows by Whall. These include "The Good Shepherd" of 1902 and the "Resurrection". "The Good Shepherd" is the East window and depicts Christ as the Good Shepherd, with quotations from Psalm 23 in the surrounding scenes.
Margaret Agnes Rope (20 June 1882 – 6 December 1953) was a British stained glass artist in the Arts and Crafts movement tradition active in the first four decades of the 20th century. Her work is notable for the intensity and skill of the painting and the religious fervour underpinning it.