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Portrait of Ivan Turgenev by Eugène Lami, c. 1843–1844. Ivan Sergeyevich Turgenev (/ t ʊər ˈ ɡ ɛ n j ɛ f,-ˈ ɡ eɪ n-/ toor-GHEN-yef, - GAYN-; [1] Russian: Иван Сергеевич Тургенев [note 1], IPA: [ɪˈvan sʲɪrˈɡʲe(j)ɪvʲɪtɕ tʊrˈɡʲenʲɪf]; 9 November [O.S. 28 October] 1818 – 3 September [O.S. 22 August] 1883) was a Russian novelist, short story ...
A Sportsman's Sketches (Russian: Записки охотника, romanized: Zapiski ohotnika; also known as A Sportman's Notebook, The Hunting Sketches and Sketches from a Hunter's Album) is an 1852 cycle of short stories by Ivan Turgenev.
Fathers and Sons (Russian: «Отцы и дети»; Otcy i deti, IPA: [ɐˈtsɨ i ˈdʲetʲi]; pre-1918 spelling Отцы и дѣти), literally Fathers and Children, is an 1862 novel by Ivan Turgenev, published in Moscow by Grachev & Co on 23 February 1862. [1]
Torrents of Spring, also known as Spring Torrents (Russian: Вешние воды Veshniye vody), is an 1872 novella [2] by Ivan Turgenev.It is highly autobiographical in nature, and centers on a young Russian landowner, Dimitry Sanin, who falls deliriously in love for the first time while visiting the German city of Frankfurt.
For a long time, Turgenev was unsure of the genre of Rudin, publishing it with a subtitle of ‘novella’. In 1860, it was published together with two other novels, but in the three editions of Turgenev's Works that followed it was grouped with short stories. In the final, 1880, edition it was again placed at the head of the novels. [2]
First Love was published in March 1860 in the Biblioteka Dlya Chteniya magazine. The author claimed it was the most autobiographical of all his works. [1] Here Turgenev is retelling an incident from his own life, his infatuation with a young neighbor in the country, Princess Catherine Shakhovskoy (the Zinaida of the novella), an infatuation that lasted until his discovery that Catherine was in ...
One of the major concerns for Turgenev at the time of publication was his anticipated reception from the public on the one hand and the censor on the other; he expected, for instance, that his depiction of Populism and its adherents (seen as good people inherently, but unfortunately undertaking a path that Turgenev saw as not conducive to success) would gain a critical reception as hostile in ...
Turgenev changed the title to Two Women. In 1854 it was passed for publication, provided alterations were made — demands made more on moral than political grounds. To play down the controversy, Turgenev finally settled on the name A Month in the Country. In the introduction to his 1994 English translation, Richard Freeborn wrote: