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The text is in four stanzas; the refrain about a longing in the group of singers opens the song, while the stanzas express prayers for specific desired situations such as peace and freedom. [6] The longing for God's presence comes from sorrow and hurt, helplessness and anxiety regarding the future in a presence full of wars and dangers. [1]
Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...
Anne Quigley (born 1955 or 1956) [1] [2] is a British composer and Catholic liturgist who is best known for her vocal composition "There is a Longing" for which she wrote text and music. [3] Quigley was born in Yorkshire. [4]
"Turn! Turn! Turn!", also known as or subtitled "To Everything There Is a Season", is a song written by Pete Seeger in 1959. [1] The lyrics – except for the title, which is repeated throughout the song, and the final two lines – consist of the first eight verses of the third chapter of the biblical Book of Ecclesiastes. The song was originally released in 1962 as "To Everything There Is a ...
("There slumbers my child.") [6] The viola begins the setting alone with the tune of the medieval Christmas carol "Joseph, lieber Joseph mein", a song in which Mary asks Joseph to help her to rock her baby. In the music, Brahms added the text to the tune, thus mentioning Joachim's given name. The voice enters with a different melody.
"Jesu, meine Freude", printed as No 377 in Praxis pietatis melica, 1653. The text of Jesu, meine Freude is compiled from two sources: a 1653 hymn of the same name with words by Johann Franck, and Bible verses from Paul's Epistle to the Romans, 8:1–2 and 9–11. [15]
Based on a short story by A.S. Byatt, Three Thousand Years of Longing is a film that Miller has been longing to make for years.And during its extended creative genesis, he devoted a great deal of ...
The alto begins, the other voices answer (mostly homophonically), and gradually the music grows to a denser texture. The words "for the mouth of the Lord has spoken it" are set as a cantus firmus of solemn and repeated long notes, which appear first in single voices, and then after a long rest, conclude the movement in affirmative homophony.